With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
肯定是有很多缺点 但是歌好听+把我看哭了还是打四星吧！泪点在JLo带数学老师去Coney Island的wonder wheel和在学校prom唱after love那里！
挺好的，边看电影边看奥运单板大跳台，错过啥剧情对白都不耽误
圣诞电影Day15：今年的最后一部圣诞电影啦，剧情其实还是差不多的，依然俗套极了，不过主角换成了LGBTQ，又多了一点小心翼翼的彼此试探，还挺甜的
《我的巨星妻子》《巨星妻子爱上我》
美国版Notting hill？挺好看的娱乐片。
只是有点好奇是不是寰映音量放得特别大还是这片子音源就这么吓人，我要震聋了……还好只花了20块钱，看得昏昏欲睡烂俗无比，多给的一星是因为我的的确确沉浸进演唱会听歌了，笑死
[翻白眼]
当初下载时还叫《和我结婚》，要在内地上映竟然改成这个译名，很奇怪这电影有什么引进的意义，这种《诺丁山》差不多快三十年前的大明星爱上普通离异男的套路都老掉牙了。j.lo虽然在欧美是天后，在中国也没多少人买账吧！欧文威尔逊在中国也就因为成龙混个脸熟，不话痨演个正经角色谁有兴趣？还有看的机翻字幕都完全不影响看懂，可见有多没营养。
只想说一句 有钱真好 不过边跳舞能边把数学题做出来就真的太扯了谢谢
“我爱上了自己最好的朋友”这一点在gay cp这里似乎行不通，因为姐妹起来就真的很姐妹。刻板印象了sorry。
5' 内地公映版｜
J.lo只是想展示自己的唱跳本事吧？能当个美美的女明星，谁会想和老男人谈恋爱啊？2022年了怎么还有这么老套的故事啊？一整个大无语。
真的名副其实的网大，一切都太表面，当然网飞可能也是在控制成本的前提下做成这样的快餐电影，没任何深入一点的戏份，内心，社会各方面都没有，就是个合家欢电影，gay身份就是个调料，换成男女也完全没问题。
是部及格的爱情喜剧片。欧文威尔逊现实生活中不认女儿却总在电影丽演好爸爸，好违和。
欧文的假脸让我看不下去了…剧情还停留在十年前
巨星阴差阳错和一个普通人相识相爱。最终大团圆完美结局。
好假好土，看看放松一下还行，Maluma好帅，加一星。
JLo都没老，还是我小时候看怪兽婆婆的JLo～大本真幸福～
这是我今年看的最难的电影，just 4 work
女明星爱上数学老师，过时的跨阶级爱情故事，跟诺丁山差远了。歌还行
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