Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’
The film takes youthful impetuousness and hatred of oppression as its subject and also ponders the cult of genius and sexual morals. Rainer Werner Fassbinder simultaneously plays both Baal and himself and is surrounded by many actors who were later to perform in his own films. After the film was broadcast on West German television, Brecht’s widow Helene Weigel prohibited any further screenings, arguing that the social circumstances engendering Baal’s rebelliousness had not been adequately explained.
印象最深的是那只狗子的眼神，和女主带着颤音的“why”。倾向于活下来的是本体，不过开放式结局怎么分析都说得通
21_174。太久没看了吗，我觉得好好笑啊，特别是有些特殊化妆没有乌黑麻漆做掩饰而露出来时我都要哈哈哈哈地笑出来了。（对不起没看三就看了四我会补完的）确实是鸟语那段还有点意思吧
如果本体死了给一星，克隆死了给五星，悬而未决又没战斗场景，给一星
北欧性冷淡风格，看着怪异，实际上有点喜剧，开放结局留给观众的想象空间很大。
设定算是还行，辛辛苦苦练了一年，就被说服了？毫无防备喝下毒水，你没事吧？
评分这么低？除去科幻的不真实，想表达的导演已经弄得很好了。而且结尾处理的很棒。
立意不错 维一个接受真实自己的人被自己杀死了
如果本体死了给一星，克隆死了给五星，悬而未决又没战斗场景，给一星
立意不错 维一个接受真实自己的人被自己杀死了
自己造的克隆人，含着泪也要把她嫩死，题材很不错，这片子本可以拍的更好的。
难道不是本体杀了克隆，然后假装克隆假装本体吗？
比起很多特效大片，当然是小制作成本之作，虽有一些情节有逻辑合理等瑕疵，仍然能够是完整的表达了伦理人性未来的好作品。特别是结局有引人深思之效！最后一幕的痛哭更是画龙点睛！
虽然是我感兴趣的题材，不过拍得挺陈腔滥调，明明黑镜三十分钟就能讲完的故事，拖得这么长。
本尊要假装自己是假扮本尊的克隆人继续活下去 好可怜
妈妈和男友是否太狠了些，就那么坚定的选择副本吗🥹看到小粉出来想说要不本体就和教练在一起吧！小粉你留一个带刘海的发型吧，脑门贼大呢😅西奥詹姆斯应该是从时间旅人妻子片场直接走来的，发型都没变。
设定相似的《天鹅挽歌》不一样，本片实际上完全没在什么科技，克隆人，自我认知与个体定义，整个故事唯一围绕着的，就只有“对决”这件事而已。
故事还是可以的 拍的太平了 女主的语速也令人窒息……
克隆人完全成了原来的她，忍受着原来的一切。
比较倾向于本尊终结了克隆人活下来的结局，反正无论如何还是一样痛苦
条目图片区有剧透，实验室的故事挺好，导演编剧提莫塔哈亚托
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