剧情介绍

  After some misunderstanding, Sakaguchi is hired to make a tourist guide video on Tobako (a fictitious name for Kawaguchi) in the outskirts of Tokyo. This element in the script sparks off a fanciful wandering strewn with unexpected meetings. First with Kitagawa, thanks to whom Sakaguchi landed the job. Then with a seamstress, and then with Yoshino, with whom a half-hearted romance emerges. Thus the narrative unfolds, in halts and swerves, espousing unexpected meetings, and offering the strolling character an opportunity for displacements from one place to the next. The deserted town has come to a standstill – the shooting took place during the lockdown – and this acts as a metaphor for the idleness of the characters. Garden Sandbox is light and nimble, whereas its main character hasa limp. Her demeanour and her stiff body exude a peculiar quality, somewhat comically at odds with the setting. Apathetically playing along, the young woman gleans from each character some pieces of information about the town and, then, touch by touch she delineates its picture: ultimately, the place comes acrossas a post-industrial locale whose foundries are now obsolete. Sakaguchi’s very meanderings lead her to a rich family’s house for a sewing lesson. In this pivotal scene, the lady of the house invites her to don an upper-class wedding dress. Through a gesture both radical and powerful, which itself informs the dynamic of the film as a whole, a gleeful snip of the scissors transforms the item of clothing into the ultimate chic of haute-couture design. What weaves together this truant escape whose motifs and fabric seem inspired by Jacques Rozier’s films, a crumbling industrial heritage and the transforming of a traditional wedding dress? With Garden Sandbox, whose title is a reference to the type of sand used in the foundries, joyfully and playfully, Yukinori Kurokawa interrogates the concepts of mutation and (re)use as sources of boundless possibilities. (Claire Lasolle)
 

评论:

  • 伍和悌 8小时前 :

    Morpheus跟自己僵持了很久,在John Wick出来给Neo量活让后者把Matrix里面的那句台词说出来(Guns)之后,在这个片子里就是给大家做Brief的头儿,把队伍里各位都排查一遍,女主发现原来就是对面这位朋友出卖了大家,但也是出于要就救下女主的原因。劫机事件就给了几个镜头,其余的都是不断回顾,这个模式还行,就是逻辑单薄了些,为了弥补就用这个结尾给“升华”了一下。

  • 娅紫 1小时前 :

    带点小反转,有点小波折,来点小幽默,很甜美很幸福

  • 强振 7小时前 :

    2022.4.**僵尸竟然是动力来源,口气当汽油,变异僵尸能控制僵尸

  • 卫燕 8小时前 :

    太丑了,而且还有味道……男主角晚上躲家里听的那段东西,确定不是邪教的宣传内容?

  • 初云 6小时前 :

    不愧是b级片,第一部结尾那么放飞自我第二部还能圆回来xD一柜多用太cult了

  • 乐新雪 0小时前 :

    爱了爱了我真的爱了,好久没看见这么轻松快乐的古早味

  • 佼萌阳 3小时前 :

    不如第一部,第一部最起码女主还穿个低胸吊带有点表情,第二部就运动背心全程咆哮了

  • 卫博通 3小时前 :

    难得的没有太多槽点的丧尸双片,很多前段脑洞大开,佩服佩服!

  • 昌文昊 0小时前 :

    要吹爆这兄弟俩了,有了本钱第二部玩出了真复古的cult味

  • 后海桃 0小时前 :

    啃生肉不难,不太需要等字幕。看的时候一直觉得发音有点怪怪的,原来是澳大利亚的电影... 怪不得

  • 成景曜 6小时前 :

    开头味还挺对,混不吝的废土朋克僵尸生态闭环了一刚,后面就整个视觉系爽片了,绝绝子

  • 呼芷荷 6小时前 :

    还不错,挺同情他们这对恋人的,真是历经磨难,顽强

  • 怀梓柔 5小时前 :

    有几处父女的冲突稍显刻意。但是全片看下来,父亲和女儿,老婆,女婿的那几处谈话挺好的,有点煽情但是不刻意,结尾看着大家欢乐的舞蹈开心收场。

  • 东彬炳 2小时前 :

    个人觉得最差的设定是,拥有控制僵尸的能力太随意了,失去了唯一性,便也失去了最大看点,而且结尾还强行复活了第一部的女一,照这发展下去就成“X战警”了。😓男主发福不少

  • 宜佑运 0小时前 :

    还不错,挺同情他们这对恋人的,真是历经磨难,顽强

  • 塞雨信 4小时前 :

    太6了

  • 富凯泽 6小时前 :

    点”

  • 仲幼怡 2小时前 :

    原来全天下有女儿的老爸都是一个样子,古板守旧、冥顽不化、装腔作势又死要面子。全身充斥着骄傲的「大男子主义」,开着土的掉渣的老爷车,总是会冷言冷语打破愉快的气氛,好像从来只会照顾自己的感受。但他们又极力隐藏着自己柔软的内心,投身于事业又深爱着妻子,小心翼翼的保护自己的家庭,并一成不变的守护着自己的所谓「传统」。同时,对于自己女儿埋藏心底的爱,他也从来没有变少过。这样的父亲不只在电影里,更像是在我们身边,因为我们的父亲都是这个样子。

  • 卫昊 4小时前 :

    第二部终于还是来了,第一部的成绩挺不错的过了两三年都没出第二部还以为不会有了…慢慢就把这片子给遗忘了,谁知冷不丁第二部就跳了出来,还延续了第一部的风格………值得推荐一下!!!!!

  • 寻冰珍 9小时前 :

    大概除了海边的风景和高级餐厅,这部片子也没有其他亮点了

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