This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off and/or very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.
Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.
One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.
Wow, have never seen such a non-sensical movie for so long. The love interest does nothing whatsoever, and the good and evil duality seems arbitrary -- why is Milo evil when there was no character development backing it up? Way too many loopholes -- not sure why Matt Smith and Jared Harris get mixed up in this.
惊悚片让我看得很困，那真的是有一点失败的。
其实设定还行，烟雾化的变身很酷炫特别，说剧本差也就是那样，不功不过的标准模板款，没什么大冰。但是吧，这个片子的细节台词都相当的粗糙，各种一二三干瞪眼式的台词，简单粗暴无聊的好像动画片，闭上眼就能听到，转个头就是证据，人死了就是好兄弟杀的，我滴个血男主角就扛不住了，就这么简单，就这么粗糙，连一点起承转折细节描写都不带的。另外，莱托的脸蛋是没的挑，气质也是100%的吸血鬼，但是吧，他演起温柔善良的角色真是无聊，与他的反派差太远了，跟11比起来简直像白纸板一样没劲。
其实设定还行，烟雾化的变身很酷炫特别，说剧本差也就是那样，不功不过的标准模板款，没什么大冰。但是吧，这个片子的细节台词都相当的粗糙，各种一二三干瞪眼式的台词，简单粗暴无聊的好像动画片，闭上眼就能听到，转个头就是证据，人死了就是好兄弟杀的，我滴个血男主角就扛不住了，就这么简单，就这么粗糙，连一点起承转折细节描写都不带的。另外，莱托的脸蛋是没的挑，气质也是100%的吸血鬼，但是吧，他演起温柔善良的角色真是无聊，与他的反派差太远了，跟11比起来简直像白纸板一样没劲。
开场这少儿时代的铺垫也是超英题材的惯常操作。
看了以后，发现那些吐槽都是尬黑，秃鹫根本没说要对付蜘蛛侠，博士也没说要参加，残影的特效也没那么烂，某自媒体，女主睁眼踩在点上，为什么非要让她闭着眼？但是，我依然没看进去，打不起精神
太可笑了，草率粗暴尤其是老套。
剧情，特效，打斗确实都弱了，但预期放低其实还行，这年头无法期待太多
对于这个成本来说确实是高性价比了，其实也不难看，就是无聊，剪辑没做好，出个导剪版真的会救命，可惜索尼也没啥野心，结果就拍成了一部网大
看这个时长就隐约觉得不妙，果然剧本稀烂，就这可别叫板蝙蝠侠了，还拉来迈克尔·基顿这昔日batman，漫威现在真是连简单的快乐都提供不了了，真是浪费了吸血+基情的题材，也就女主的颜值可以看看，另外莱托现在是怎样，专门致力于让大家在片中看不出来自己么。
男主这长发LOOK倒是很有邪恶感。
这是一部毫无追求的片子，但它及格的地方就在于它很有自知之明，在给足了预告片中该有的特效以外，没有灌水时长、没有支线剧情、除了俩主角外其它人基本没有戏份、甚至彩蛋都有一股悍匪般地直白
这真是《异星觉醒》、《藏身之所》的丹尼尔·伊斯皮诺萨导的？？？怎么烂成这个样子？莱托这是打算接凯奇的棒做票房毒药吗？莫比亚斯可以每个月拿Adria Arjona演的马汀的tampon泡茶喝解渴吗？1080P 22/05/17
这下好了，全跟小蜘蛛联动了，本片全无新意，特效不错。
真的是难看，和毒液2半斤八两。彩蛋也吊不起胃口来。
作为索尼漫威宇宙的又一起源故事，Morbius几乎在所有的地方都平庸而过，能留下印象的也就只有Jared Leto和那可圈可点的视觉特效了。
疯掉了，整个剧本怎么这么烂啊，莱托少爷你也炒房失败了吗？！@@
暗夜博士：莫比亚斯 2022.7.20 医疗DNA这个早晚会实现。卡西欧。 真蝙蝠超人。地铁前边顺着风飞翔太帅了。细节很惊喜。
《毒液》大賣之後的偷懶之作，一樣正反派同源，一樣沒種拍R級，一樣惡意賣腐，區別只是前者爛而賣座，《莫比亞斯》爛而不賣座。故事幼稚出了喜劇效果，該著筆的部分都沒著筆，該解釋的部分不解釋，擺爛得那麼理直氣壯也是一種本事，理直氣壯地kidding me。最可氣的是，本該是看點的動作戲和驚悚戲，都稀碎，動作戲無聊透頂，甚至談不上有什麼動作設計，就是沒完沒了的殘影、重擊、慢鏡頭，驚悚戲少得可憐，而且還都是是最爛俗老套的橋段。
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