学习如何在日益拥挤的星球上生存也许是我们人类的终极挑战，但有一个地方，拥有的世界人口六分之一印度，人们却特别适应生活在这么拥挤的土地上。这个系列高清纪录片将带我们进入印度最密集的地区加尔各答和孟买，了解这里人们的生活现状及生存压力。
BBC 2012年播出，用3集记录印度的底层人如何在人多地少的环境中工作。印度现在有人口 12亿，占世界的六分之一，每个家庭都有很多孩子，对于穷人来讲，这可是一个很大的负担，看看印度人是如何在他们的国土上为了生活奋斗的。
Learning how to survive on an increasingly crowded planet is probably our ultimate challenge. But there is one place, home to over a sixth of the world's population, which is already making a good shot at adapting: welcome to India. This observational series casts aside the usual preconceptions about the sub-continent, and lets a few of India's 1.2 billion show how their world really works.
With astonishing access into the densest districts of Kolkata and Mumbai, it celebrates the impressive resourcefulness, resilience and absolute pragmatism of those living and working there, and reveals the psyche needed to get ahead in the biggest of crowds.
Part 1.
This episode follows two main characters as they employ all their ingenuity to carve out a home. With more people moving to cities in India than anywhere else on earth, securing that place you can call home is vital for nurturing your family's future.
Part 2.
Johora started out as a rag-picker, but through building a bottle recycling business on a railway embankment, she has big ambitions for her family of seven kids. And it is not just small waste. Kanye uses a blowtorch to cut up ships discarded by the rest of the world, helping satisfy India's thirst for steel. And Ashik buys up beef fat from the abattoir, and proudly renders it down to make tallow. It looks disgusting, even before he is plagued by a maggot infestation. But this thrifty use of 'waste' may well be destined for your soap or cosmetics.
Part 3.
With India destined to become the most populous nation on earth by 2026, you have got to be highly tactical in your search for a better life. It is not just about you and your dreams today - it is about the family over generations to come. Prakash and Mangesh are brothers in their early twenties from an illegal settlement surrounded by the buzz of downtown Mumbai. Prakash is deckhand on a yacht while striving to realise his dream and launch a Bollywood career. But his family make it clear his sole purpose is to earn enough to fund in their joint future: his brother Mangesh's course in software engineering. Swapan, a merchant in a hectic fish market, works so hard for his family's future that his wife knows he is ruining his health. And Sujit, who crafts disposable clay tea cups in Kolkata, hardly dares dream of seeing his family hundreds of miles away.
就是让益达叔和后藤新形态被暴打？
毛利，你个叼毛，不敢露脸就那石森章太郎老爷子顶是吧，有种露脸啊
本质上还是为了宣传CSM而拍摄的劣质广告片，肉眼可见的穷，所有战斗都是互相王八拳，跟儿戏一样，要特效只有结婚鸟看的下去。王完全没有牌面，住在简陋的地下室，干什么都要亲力亲为，没有渲染出一点末日的紧张感。
十年了，一个人的归来却换来了另一个人的离去
他只是做了假面骑士会做的事，谢谢你火野映司
入坑作 能看到全回归真的很开心 但剧本却让人恶心得想吐
我还是认为tv的结尾是最佳结尾，给未来留下了无限的可能又点到为止。这个剧场版就是把一切的可能都堵死了，所以我更加坚信
10周年纪念：复活的核心硬币
一星给tv原版的记忆，一星给渡部秀，最后一星是这部网大本身的质量。就如访谈所言，这一部能有机会看到，渡部秀的努力功不可没。召回老演员去和东映高层谈，随之一拍即合有了这一部10th的纪念作，也可以说是完结篇。但是你东映是如何回应的呢，拍出了这样一部恶心粉丝玩预告骗的低成本网大。三蛋皮套有没有保养你心里没有数吗？这部剧场版的目的确实还是为了永恒不死鸟和xbirth收割一波嗷！（这条评价完成的当天万代已经公开不死鸟魂限真骨雕了）情怀确实可以当饭吃，但是饭是给商人吃还是粉丝吃那就说不好了，因为在我看来这一部能让我有一点点感动的就是最后大黑摩季的Anything Gose响起，其他的50分钟我全在吃屎。最后毛利亘宏，你有一万种方式来写一个比这个还要好的结局偏偏用这种，小林阿姨核心没学到抄了个表皮，呸！
居然能原班人马回归，而且几乎一点都没变，永恒结婚鸟和诞骑新形态也很好看
2020.3.4想看.2022.4.18晚看.第119个标记看过(2022.4.19 10点34分，发现开分7.3）2022.4.22发现评分7.2.2022.4.24发现7.1.2022.4.28发现评分7.0
所以希望他复活是你个人的心愿吗火野映司，那你希望的到底是他得到真正的生命、还是一个你们共同存在的明天呀？
映司就TM为就小女孩死了?毛利你都在致敬些什么啊！
电影时长太短了，长一些故事会说的更好
感觉这部电影还是太短了，但是安库和映司真的让我好感动。为什么不能两个人都留下来，哭了(இωஇ )
整体的感觉用一个并不严谨的比方就是：曾经火过的一家餐厅的老板想来一次一周限定开张，把原本的厨子服务员等工作人员都喊回来了，但是从餐厅面积到食材种类数量再到人员状态都达不到当初的标准，结果就是最后做出的菜品你能吃出原来的味道，但大家也都知道不可能100%还原过去的样子……大概就是这样的感觉吧。
就是让goda秀两三个联组？
连同核心硬币复活的还有：OOO再版CSM，BirthCSM，鸟盾CSM，永恒鸟真骨雕、OOO王真骨雕，GODA真骨雕，Ankh完全体真骨雕。小到三蛋十周年，大到三虫同框，本质都是为fans提供新一轮的文化消费，出更多的周边。所以从商业框架去看待特摄或漫威，比从电影框架内去批判它更合理些。
现在以为10周年终于能大结局了，结果还是刀子
主角团的颜值甚至比十年前高
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