"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
好差劲呀，感觉不到紧张感，还不如tvb的律政电视剧。两个老头的对戏可以。
故事套路，转折过于轻易，雷律师的小惊喜是为数不多的亮点。
剧情是比较松散，节奏也比较拖沓，而且其中有很多细节是没有好好交代清楚的，比如cat那个女生为什么突然就反水了，化验报告为什么不能作为呈堂证供，不过作为廖启智的最后遗作，还是奉献了不错的演技。最后的解决感觉如果换成一家平民家庭这个案子就盖棺定论了。
开头十分钟就一股上世纪三流港片的味道，弃了
不过，比起有权人杀了有钱人，穷人被顶包，最终得平反的戏码，我更想知道穷人要是动了他们任何一方的利益会怎样？
钱真是个好东西。相比于剧情，这些星其实是给那些老戏骨的
20211028戌时，睡着了
最近港片有点奇怪。故事主题弄的很大，但是叙事逻辑节奏跟不上主题。拍出来的东西外壳很华丽，演员没问题，就是尬
剧情拍的太一般了，也就是看看戏骨们的表演。
开头十分钟就一股上世纪三流港片的味道，弃了
老戏骨演得好，剧本麻麻地了，警察的角色太单薄，太突然。
过于粗糙的剧情，这么长时间、这么些老戏骨，时间都花哪里了？一星给智叔吧。
从19年到21年，鸡蛋与高墙，又是权钱交易又是黑警的，还有方中信最后的独白金句，十分切合时势了。开头一段交叉剪接本来拍得好好的，接着却很快把陈家乐的角色放在了次要位置，然后又生硬地把两位大状的取态近乎是调转了。整个故事走向和人物塑造，也很粗糙跳跃，无法令人信服。电影最后对鸡蛋撼高墙争取公义貌似给出了一丝希望，只是很讽刺地香港以后还会不会有这样题材的电影都是未知之数吧。
比其他观众还不能忍的一项就是配音，即使不用港片常用的南方团体，也可以让TVB国语配音部来出演，现在的版本，就想是找了个网配小社团匆匆完工之作。
类型: 动作 / 悬疑 / 犯罪
Bug确实有些多，被现实架空了的新时代香港主旋律
导演很勤力 在他自己的TVB节奏里由头到尾都没掉链子
TVB的叙事感，不过能再看一次廖叔同曾爷一面，点都加两星喇
陈家乐还是回去唱歌吧plz plz plz，香港是真的没有人了，一群老戏骨都带不动
只有有钱人才能对抗有钱人，穷人，看什么电影，挣钱去aq
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