The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
构图很apple，克隆所的风格好像《机械姬》里面那个林间house，想想这生意一条龙，跟用户说绝症治不了了建议克隆，克隆人送过去还让本尊留下临终关怀顺带套路下一个潜在用户，机智呀！另外，克隆体的创作设计这些抽象能力和本尊应该不完全一样吧？
每个个体在人间为自己的搭建的位置，在关系网中的意义都是极其宝贵的财富。而且具有排他性和唯一性。这个电影阐释了这一点。很细致的探讨。
Swan Song is an evocative sci-fi drama with more than an essence of Black Mirror about it. It makes you weep and think about certain aspects of life. Extremely well acted but I kept expecting a twist before the end that sadly never came.
我的存在，究竟是对我有意义，还是对我的家庭、我的爱人有意义
好看，值得推荐。情节4，表演5，画面5，寓意4，尿点2 = 20/25，80分电影
和今年圣丹斯的电影《二重身》撞题，完全一致的故事背景，只是在克隆后的人生境遇和关键抉择里走向相反的类型处理，表演是加分项，效果见仁见智。
拍的蛮美的，但是议题已经不新颖，思考也蜻蜓点水浮皮潦草的。
为什么我想起了一本古早言情小说，叫《会有天使替我爱你》
是不是一个梦
被满脑子的脑洞打扰了思索，却依然可以感知挽歌的悲壮，不得不说演的很好
里面的场景非常高级，有种未来的感觉，题材蛮有现实主义的意义，然而故事对我而言太无趣。
节奏很慢很慢。主要是讨论。我们需要讨论，我们需要探索。
6/10
我期盼了好久
呼唤着我的名字
😅在戏剧性和肥皂剧之间还是回归了肥皂剧……
只有我的狗发出质疑
有点像之前看过的一个短片的风格（忘了叫什么），人物描述很细腻，简单的故事在每处以为反转的时候都没有反转，朴实得有点可贵，可能我们已经很长时间不再相信真情实感了吧。
最大的bug是，都能出克隆人了不能把癌症治一治吗i
感觉疫情开始以后，就再没有看过这么好的电影了。
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