剧情介绍

  After some misunderstanding, Sakaguchi is hired to make a tourist guide video on Tobako (a fictitious name for Kawaguchi) in the outskirts of Tokyo. This element in the script sparks off a fanciful wandering strewn with unexpected meetings. First with Kitagawa, thanks to whom Sakaguchi landed the job. Then with a seamstress, and then with Yoshino, with whom a half-hearted romance emerges. Thus the narrative unfolds, in halts and swerves, espousing unexpected meetings, and offering the strolling character an opportunity for displacements from one place to the next. The deserted town has come to a standstill – the shooting took place during the lockdown – and this acts as a metaphor for the idleness of the characters. Garden Sandbox is light and nimble, whereas its main character hasa limp. Her demeanour and her stiff body exude a peculiar quality, somewhat comically at odds with the setting. Apathetically playing along, the young woman gleans from each character some pieces of information about the town and, then, touch by touch she delineates its picture: ultimately, the place comes acrossas a post-industrial locale whose foundries are now obsolete. Sakaguchi’s very meanderings lead her to a rich family’s house for a sewing lesson. In this pivotal scene, the lady of the house invites her to don an upper-class wedding dress. Through a gesture both radical and powerful, which itself informs the dynamic of the film as a whole, a gleeful snip of the scissors transforms the item of clothing into the ultimate chic of haute-couture design. What weaves together this truant escape whose motifs and fabric seem inspired by Jacques Rozier’s films, a crumbling industrial heritage and the transforming of a traditional wedding dress? With Garden Sandbox, whose title is a reference to the type of sand used in the foundries, joyfully and playfully, Yukinori Kurokawa interrogates the concepts of mutation and (re)use as sources of boundless possibilities. (Claire Lasolle)
 

评论:

  • 盛允 2小时前 :

    英雄迟暮,美人白头! 看见连姆·尼森 日渐迟缓的动作, 莫妮卡·贝鲁奇 那僵硬的表情,深深的感觉一种沧桑感。剧情苍白,动作场面也不是很火爆。不推荐收藏了。

  • 翟文茵 3小时前 :

    选角脸谱化严重,但是相比最近的几部电影真的是清流了。Justice真的能够实现吗?如果能的话就不会有这样的电影了,结局无疑是主旋律的,然而不这样安慰自己还能怎么办呢?人常常在自我欺骗中活下去,这也是生存的哲学。

  • 申玟丽 4小时前 :

    停留表面,少了些往深处探索勇气,甚至可以往人性再深挖。而且导演好喜欢用全景。

  • 理芳润 2小时前 :

    这是什么兄友弟恭剧情,我华妹最近客串的电影着实有点多…

  • 闫海融 9小时前 :

    结局如果改成村民集体告发或隐瞒就更好了,这个题材适合表现集体主义。

  • 牟采白 6小时前 :

    为了死神来的,一直到警察死那里都很扣人心弦,就是最后为啥真相设定为好朋友的嫉妒心呢,搞得和狗血闺蜜撕逼剧似的……

  • 竭晓畅 7小时前 :

    半部好片。其实前半部分的切入点和讨论角度挺可以的:为了偏远小岛的发展,掩盖误杀放行犯的污点又算的了什么呢?后半程节奏和讨论点开始混乱,要的太多,兄弟间的关系和猜忌也开始加上了,导致该片主心开始崩塌站不住脚。

  • 融天韵 4小时前 :

    连姆·尼森,谢谢你今年连续两部老年特工片让我意识到特工退休已然是一个社会问题……看着老爷爷打来打去还是心疼的

  • 祯安 9小时前 :

    虎头蛇尾,开始故事的情节都能好好发展,后来就收不住了

  • 雪初 3小时前 :

    (第一季TV版剧情的总集篇。剧情其实已经忘得差不多了,相当于重看一遍。人物肢体还是比较僵硬啊。)

  • 琛云 0小时前 :

    几个主演,松山研一从头到尾一个表情,藤原龙也比他好点,神木也还行吧。黑木华最好。。。

  • 革莉莉 3小时前 :

    开始看这3D真不熟,后面越看越舒服,女主真美啊,还有丝袜prpr

  • 珊岚 5小时前 :

    格局不够大,前面悬疑半天,最后竟然就是个三角恋这么撒狗血的故事

  • 锁芷珍 7小时前 :

    整体质感不错,故事也算有趣,尤其是前一半,很有戏剧张力,可惜后面收尾太过生硬,犯罪动机也有点狗血,有点自说自话。其实这故事仔细斟酌一个合理有说服力的结尾,这片上7分不难。

  • 陀子怡 7小时前 :

    老年痴呆杀手因不愿意杀害儿童,一系列反杀中介和雇主,帮联调局清除法律无能为力之人。

  • 钱如波 1小时前 :

    停留表面,少了些往深处探索勇气,甚至可以往人性再深挖。而且导演好喜欢用全景。

  • 枫桂 0小时前 :

    能看!

  • 韦和裕 8小时前 :

    确实没看下去。大叔要不憋个大招也行,要不退了也挺好,在记忆留下都是美好更好。

  • 闽德元 7小时前 :

    虎头蛇尾,开始故事的情节都能好好发展,后来就收不住了

  • 汗玲玲 1小时前 :

    看了剧场后才发现原来是tv拼成的剧场,很神奇。不过真的很适合影院大屏幕去看的作品。

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