Devon Ke Dev...Mahadev is a Hindu spiritual television drama series which airs on Life OK channel. It premiered on 18 December, 2011 and showcases the story of Lord Shiva, also called as Mahadev.
The drama is inspired by the works of Devdutt Pattanaik. The story has been researched from Bodhisattva and has been penned up by Mihir Bhuta.
Devon Ke Dev...Mahadev is the story of the Hindu God Shiva, also called as Mahadev. The show portrays his journey from a hermit to a house holder. In the show Shiva takes many incarnations and many incidents take place. However, this plot mentions only the major events.
The story starts with the tale of Shiva's marriage with Sati. Sati who is the daughter of Prajapati Daksha, a staunch Vishnu devotee, is drawn towards Shiva against the wishes of her father. She finally marries Shiva, but soon dies by self-immolation when her husband is insulted at the yajna of Daksha. The grief-striken Shiva produces Virabhadra, who slays Daksha, however he restores Daksha's life after beseeching of Daksha's wife. A distraught Shiva leaves with burnt corpse of Sati and wanders the universe. Vishnu severs the body into pieces, shattering them on earth. Shiva transforms the pieces into Shakti Peethas, embodiments of the power of the Goddess Adi Shakti.
Sati is reborn as Parvati, the daughter of Himavan, king of the Himalayas and Mainavati. She is also the sister of the river-goddess, Ganga. Parvati is raised in the hermitage of the Shiva devotee sage Dadhichi, who teaches her devotion to Shiva. Parvati grows up and like Sati, is captivated by Shiva. She slowly remembers her past life, then wins Shiva by her austerities leading to their marriage.
Shiva and Parvati give birth to Kartikeya, who slays the demon Tarakasura and his brothers. Kartikeya is also nominated for the throne of the King of Devas but Shiva asks Indra to continue as the king. After this Kartikeya is sent to the Dakshin (south) where he is cared by Meenakshi and here he slays the demon (asura), Tripath with her help. The story goes on with the tale of the destruction of Tripura, belonging to the revengeful sons of Tarakasura, who were earlier given boons by Shiva. And just before the destruction of the Tripura, Shiva and Parvati's daughter, Ashoksundari is born.
After the destruction of Tripura, except Lord Indra (the King of Devas) everyone congratulate Shiva for destructing Tripura and also for being the father of Ashokasundari. Rishi Durvasa gives him a special garland, which Shiva gave Narada as prasadam. When given Lord Indra accepts the garland placing it on the trunk of his elephant, Airavata to proof that he is egoistic throws it. This enrages the sage and he curses Indra and evryone to be bereft of all wealth and fortune. Soon later to take revenge on the destruction of Tripura, King Bali attacks heaven and in attempt to steal Amrita (nectar of immortality). But it falls into the Ocean of milk. To get the Amrit back Devas join hands with Asuras to churn the ocean for the Amrita and to share it among them.
The churning of the ocean, known as Samudra Manthan is an elaborate process. In the process the Devas disadvantage the Asuras in many ways. Despite this, they churn the ocean. In the process Lord Vishnu also takes his second incarnation of a turtle, Kurma.
The process releases a number of things from the ocean. One product is the lethal poison known as Halahala. This could contaminate the ocean and destroy all of creation. To save everyone Lord Shiva inhales the poison in an act of self-sacrifice but Parvati rescues him by pressing his neck to stop the poison from spreading. As a result, the color of Lord Shiva's neck turns blue. During the churning many things are obtained from the ocean which includes Lakshmi, the Goddess of fortune and wealth, who is the eternal consort of Vishnu. Thus, everyone gets their wealth and fortune back. Later Vishnu takes the Amrita secretly from the Asuras and distributes it among the Devas.
The story takes some years leap after which it is shown that Kartikeya has been removed from the post of Senapati(head of the army), which pleases Indra and for the first time after so many years, a grown-up Ashoksundari meets Kartikeya. Kartikeya also meets his parents. He enlightens Ashoksundari about meditation and she inspired by it so much that she renounces her life to meditate, which disturbs Parvati.
Looking at the ill happening of the world, of how Ahalya is seduced by Indra, Mahadev come indside. Even after Mahadev tells that he is his father and many other gods tried to tell him, he still refuses. Mahadev got angry and cut Vinayak's head.
平平无奇,在同类题材里属于看过就忘的平庸水平。
十分讽刺当今电影现状--倒不是像老马丁说的那种电影院被“主题公园”电影充斥着、挤出了“艺术电影”或者真正的电影。大部分的好电影,似乎都会参加某种电影节。电影入围之后,就可以在片头印上那个电影节的logo。进入“主竞赛”单元则更是种荣誉。片名不止于此。两位男主分别代表了传统和学术派以及流量和商业大制作的对立,他们之间的竞争也是现在威尼斯电影节主竞赛单元之间的竞争。除了母题之外,诸多细节也颇有趣味。比如戏中狡诈的弟弟杀死了踏实本分的哥哥的桥段在戏外得到实现。学术派“大师”的漂白牙,我们也可以在发布会女导演的口中见到。导演们为了表达电影到底有多虚伪,上述例子不一而足。最后提出的电影究竟何时终止的问题,则像是在说,作者停笔则“作者已死”,但是电影
为了一个不肯反思的父亲得到释然,影响了另外两个人的悲剧,内心脆弱的人受伤总是最深的,原谅自己就是和自己和解,过多的愧疚是情感的负累,恶性循环走向崩溃,所幸这个父亲想开了知道道歉了清楚自己的错了真的后悔了明白宽容了,这个店长也因为别人一句感激减轻了愧疚感有了新方向,逝者已矣,可惜不能更早和解,观众要看到这种本不该发生的悲剧懂得珍惜现在拥有的美好,宽容,别等到事后后悔。
直白的讽刺电影圈各种陋习,演员表演是不错的,就是过于平淡直接,结尾有些潦草。
充满后现代主义特色的配乐,前卫的装饰造型,离奇露骨的剧本故事,让人以为在看阿莫多瓦的电影!
无良媒体+暴躁且根本不了解女儿的父亲+网暴
几位的表演太绝了
能猜到差不多全部的故事走向,唯一溢出的是第一个肇事司机的死,但那种耻感和罪感似乎又太奇怪了一点。
少女的死亡是意外,但伤害却是由各方面共同造成的,其中最过分的就是扭曲真实煽风点火的媒体。就像如今。
开头花音的遭遇看得人想放声大哭,她是如此不自信不起眼。
因为这两周刚好在学script analysis 好神奇的观影体验 很灵动!
西班牙电影的特点就是,从来不按套路出牌。这俩男人真的有够自恋的,都表演欲极强,而且自信满满。但作为电影来讲,还是太戏剧了。台词太密,看着就累。
继晨间剧后,短时间内再一次看伊东苍小姑娘扮演心事重重的女子中生。吉田写群像依然有个个生存处境各各不乏亮点的细致处,整体叙事上始终有些不得要领。
当不幸意外发生,你可以选择相互之间的仇恨,但也可以选择与自己和解。
不知道为啥,我脑海里浮现的是陈道明和何冰。真奇怪。
还好有外国电影(嘘🤫)
小机灵小嘲讽,对于讽刺艺术来说过于冗长了。安东尼奥班德拉斯从年轻到年老的不靠谱。佩内罗普科鲁兹的可爱性感永不老去。
所谓不幸,大概就是所有的各种各样的有形的无形的伤害一点一滴的堆积起来,最终杀死了一个女孩。谁有资格去指责任何一个人物呢?指责之前先假设自己就是这个人物,站在他的立场上,自己会这么做?
两星半,可能是我水平不够,总觉得全篇讽刺的毫无新意而且太满,让人看着有些压抑和累,形式还大于内容了一点点。以及佩内洛普和班德拉斯虽然演的都非常出彩,但是真的,苍老的肉眼可见
罗马moderno,三星半吧,癌症之后睡着了一会儿醒来是开机酒会。Cruz还是我心中外国女演员n.1。在等结尾的惊喜但是没有,latino日常的荒诞。
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