Michael Hanake meets the Blair Witch Project in Kim Gok's Exhausted, a vicious kick in the pants to everyone in the audience, all in the name of "style." A man meets a mute woman, and as any reasonable person would do in such a situation, makes her his prostitute. But the pimping is the least of our problems. As we get exhausted by the grainy faux-16mm camerawork, the film gets increasingly deranged. The closest thing we get to a sympathetic character is the pimp, simply because he's got too much self-respect to fuck a mute whore. Everyone else is either a gory mess, or a gory mess in disguise. Even the prostitute, which even a thug like Lars von Trier would make likeable, comes off as a delirious scary woman whose shrieks strike like blows to the jugular.
Kim Gok has seemingly abandoned the Marxist critiques of his short films, going instead for mindless brutality which culminates in an endless bloody freak-show involving, among other things, a pair of scissors going where pairs of scissors should not go. In the middle of the bloodbath, we get an extended long take of the beaten prostitute's near-dead face, but it does not elicit sympathy or pity. In fact, images of the victim only make us shy away in shock. (Indeed, the extended sequence led to continuous walk-outs during the Pusan screening.) The long take invites us to stare, but it assumes we're as sadistic as the victimizer (and the film) is. Meanwhile the sound-effects (mostly a rumbling bassline that shakes the theater) pulsates with pure wickedness. With Hanake, shock creates reflection, which asks that we be critical. Here, we only want to escape. I suppose Exhausted has some virtues; the shots of drilling machines and factories provide a mesmerizing phallic backdrop to the pimp and prostitute's pursuits. But everything else hurts too much. At least Kim Ki-duk lets us breathe. Exhausted makes Bad Guy look like Lady and the Tramp. (asiaarts.ucla.edu)
为了纪念疫情曾经来过的恶搞之作，平庸略有趣，自嗨的成分多。
适合隔离焦虑，意外惊喜竟然看到agent mulder年轻时的神颜，确实帅的让人想揍他🫢
看见别人说是小成本的电影，加一星吧，感觉一般
不知道是什么促使我看完了这部电影，可能因为网飞。一部最不像网飞的网飞大电影
腐烂的不仅是苹果还有人心，把握好改过自新的机会就可以涅槃重生
烂片中拍烂片，实际上也是烂片，荒诞但又能理解的傻X剧情，疫情下的演员在剧组“保护”下拍电影的闹剧。这新冠什么时候才能结束呢？很悲哀但又无解的问题。玩梗和各种咖客串挺多的，但没戳中我的笑点。唯有Run让我的“搁这搁这”之心燃了一下。
真的好无聊啊，这种东西写成snl段子还能一乐拍成电影就没啥意思了，另外皮是不是和网飞签了卖身契，演完Narcos那种从业巅峰就要演无数烂片，不过我还要说一声Pedro Pascal好可爱
不错的电影。但可能不适合幽闭恐惧症患者观看。。
一段奇奇怪怪的笑点在这个越来越奇奇怪怪的世界
人生路漫漫，选择比比皆是。不是每条道路选择了就能看到结果，而是坚持了才能看到希望。
堕落后只有自己能拯救自己。
好**的沙雕… 明明挺有意义的一个角度，拍纪实或者甚至拍个魔幻都比这种土俗恶心的低级趣味好得多！ 浪费时间
孩子是真可爱，辣妈是真漂亮，反派是真弱鸡，剧情是真的不在线。
没预告片精彩！平平无奇吧，没多大意思。充其量一部枯燥的喜剧片。当初也是冲着snl几位卡司来看的，然后为了对snl的几位卡司表示支持，我给四星。
主题是自我和对家庭的救赎，但是深度不够...区区小木房能困住女主这么久，比较低智了
5分吧，不值6分，女主颜值身材不错，设定了3岁小孩的自救，很让人担心。
凑一堆蹭热点的烂梗不一定会显得你很幽默或者有多会观察现实好么，大兄嘚
挺扯的，疫情之下，看看泡泡剧，还能偶尔笑几声，可以了。
表现弱：反正一旦碰到BGM奏响、环境的素材质感变化，就知道是骨头社又要用他那套花里胡哨的胡乱运镜了（反正我从来就没喜欢过这套做法，因为角色空间关系的表述很差），打斗也压根没掺杂任何有价值的信息。从《一拳超人》、《灵能百分百》，到《我的英雄学院》，诸制作中索表现出如此强的路径依赖，不禁让我怀疑BONES的制作能力是不是已经到瓶颈了。
卡司强大，但预告片很令人担心是烂片……果然是烂片。
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