Professor Mary Beard, renowned classicist and TV historian, is to explore what life was like in one of the world’s most extraordinary and iconic archaeological sites, in Pompeii: Life Before Death, a new landmark programme for BBC One.
Mary Beard – a world Pompeii expert and author of Pompeii: Life Of A Roman Town – will be joining an international team as they bring the very latest technology to bear on this most extraordinary of archaeological sites.
Mary Beard says: “This is a really exciting chance to find out more about the ordinary people who lived in ancient Pompeii. It's a once in a lifetime opportunity. I'm hoping we're going to unlock some if the secrets about who the people were.”
For the first time, a team is CT scanning and fully investigating the world-famous casts of the bodies to analyse the skeletons trapped within, to ascertain all they can about who they were, where they came from and how they lived. A team is also conducting DNA analysis of the bodies for the first time.
Elsewhere, the documentary will follow the work of recovering damaged frescoes and mosaics, the excavation and rebuilding of certain key buildings and the organisation and cataloguing of the thousands of astonishing artefacts in the storerooms – from loaves of bread to pet monkeys, paint pots to purses. It will shine a light on the work of archaeologists who are exploring the third of the town that has never been excavated, and will present a unique first look at the complete Pompeii in stunning CGI.
Using the evidence gleaned from all this research, the BBC One film will piece together a full picture of daily life in Pompeii before the town was destroyed by the eruption of Vesuvius in AD79.
“we didnt learn anything from 2020”
你从2021学到了什么？我明白了没有人从2020得到教训。 同样的形式看到第二年就没有新意了，但这个系列能够出到第二部本身就是一种讽刺了，2021年，原来和2020年一样，都没有变得更好。
用许巍的一句歌词形容或许很合适: “你的爱如此拥抱我，融化心里的冰雪。”
小说在裹着爱情外壳的传教 电影裹着爱情片的外壳逼妓从良 patriarchy到了极点 回忆的镜头光圈看得特别难受 演员演技也差到离谱 production value挺高 内容却没有可取之处 小说还挺不错
回看2020，也是未来十年最好的一年。马特达蒙干啥了？为什么要内涵封杀他？
双向救赎其实也不太准确，更像是一个自由散漫的男主救赎一见钟情但是不幸失足的女主的故事。
’我从未告诉任何人我的真名.真到现在.因为这是我唯一拥有而不会被夺走的’
女主又当又立，以为老实人好欺负是吧！少给我来这套，彻头彻尾的传教电影。也不要以为男主就怎么好，生活中不可能有这样的大冤种……恋爱中的理解和原谅，也不是通过这样的方式来体现的。
男主应该是ENFJ无疑了🫠
应该这会成为网飞未来年更节目吧 吐槽得还是很有趣的
套路越来越尴尬和造作了……建议明年换个拍法吧，强扭的笑料不好笑啊。
如果是作为福音电影，那么“救赎”的重点并不十分突出；作为爱情电影，前面拖沓结局仓促。插曲好听。
居然这也成每年的固定番了。比起去年我觉得今年没啥区别吧。除搞笑点调侃都是除咱们之外其他国家那点事儿，疫情还是主角，人类还不长记性。直接等明年底Death to 2022好了
看了5分钟过来评论。镜头表现很天才，诚意十足。很久没看到这么好的天赋型的作品了。
没有去年那一部好 但作为今年最后标记的电影 也是挺不错的圆满了
还好吧，3.5的样子，去看Eric Dane来着，又没演好人
Hahahaha還是好多處被笑到，這個系列可以一直拍下去
1. 摄影运镜、剪辑水平极高；2. 这部片子让我们成为更好的人
如果说去年的版本还有点新鲜感的话，今年这个就真的是纯无聊了
同样的卡司，发生的鸟事和去年比也没有什么特别，有点没劲了。
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