Shortly before he is to wed, millionaire John Willis is visited by Dr. Harry S. Blair, a psychiatrist who informs him that years before he was married to Nancy, John's wife-to-be, and warns him that she is mentally unbalanced.
Blair then relates the following story: After a whirlwind romance in Florida, Blair marries Nancy and starts a psychiatric practice in New York. One day, artist Norman Clyde comes to his office and tells him that an innocent man is about to be executed in Sing Sing Prison and that Nancy is the cause of his unjust incarceration. A distraught Clyde then explains himself to a curious Blair:
Three years before, Clyde meets Nancy, whose maiden name was Monks, when she enrolls in his art class. The moody Clyde soon falls in love with Nancy's honest charm and beauty. Nancy, a secretary, introduces Clyde to her boss, millionaire Andrew Bonner, and persuades Bonner to showcase Clyde's paintings at one of his private showings. To Nancy's delight, Clyde's painting, a depiction of the tragic figure Cassandra for which she modeled, wins first prize at the showing. The evening is perfect until an expensive bracelet is stolen from a guest, and Clyde later finds it in Nancy's purse. After Clyde confronts a confused Nancy about the theft, she relates the following story to explain her behavior:
As a young girl, Nancy lives with her housekeeper mother in the lavish Willis home and plays with Karen, the Willises' little daughter. Although Karen wants to invite Nancy to her upcoming birthday party, Mrs. Willis refuses to allow the lower-class Nancy to attend. A true friend, Karen promises to give Nancy one of the pins her guests are receiving. When Karen realizes there are no extra pins, however, she offers Nancy the beautiful locket she has just received from her mother. Nancy's subsequent joy is soon crushed when Mrs. Willis demands that she return the locket. Later, the locket is discovered missing, and Nancy is accused of theft. Although Nancy's mother soon finds the locket in Karen's dress, Mrs. Willis refuses to believe Nancy and forces her to "confess."
The adult Nancy then admits to Clyde that this childhood humiliation caused her unconscious desire to steal the bracelet at the party. After a forgiving Clyde returns the bracelet anonymously, he and Nancy continue their romance until the next party at the Bonners'. Suspecting that the absent Nancy is spending the evening in Bonner's arms, Clyde leaves the party to look for her and sees her exiting Mrs. Bonner's bedroom just after two gunshots are fired. Bonner is found murdered, and Mrs. Bonner's diamond necklace, stolen. Although Nancy and Clyde are questioned, valet Myron Dexter is eventually found guilty and is sentenced to die. Clyde, however, strongly suspects Nancy, but she angrily maintains her innocence and leaves for Florida.
Back in his office, Blair defends Nancy to Clyde but invites him to his house that evening. When confronted, Nancy denies everything and tells Blair that Clyde is merely jealous. The next day, Dexter is executed, and a guilt-ridden Clyde jumps from Blair's office window to his death.
To avoid scandal, Blair and Nancy move to England, and after World War II breaks out, Blair volunteers his medical services, while Nancy becomes an ambulance driver. Expressing concern over Blair's health, Nancy insists that they take a vacation at Lord and Lady Wyndham's manor house. Just as they are leaving, Blair learns that one of Lady Wyndham's valuable jewels has been stolen. Blair suspects Nancy but is unable to prove anything until a bomb destroys their flat and reveals her cache of stolen jewels.
Although confronted directly, Nancy continues to deny any guilt and divorces Blair after he suffers a nervous breakdown. Back in John's study, Blair, like Clyde before him, tries to convince John to abandon Nancy, who now uses the name Patton. John, however, believes Nancy when she tells him that Blair is still suffering from his breakdown.
Moments before the wedding is to start, Nancy's future mother-in-law, the unsuspecting Mrs. Willis, gives her the same locket that she once took away, and tells her that it is a precious family heirloom. The locket causes Nancy to be overcome with guilt, and she collapses at the altar in hysterics. As Nancy is later taken away to an institution, John sadly realizes the truth of Blair's story, but determines to see Nancy through her crisis.
很有质感的影片；《狙击手》的命运自然逃离不了与《长津湖》《水门桥》相比较的命运；后者标志着中国电影视效的新篇章；那前者就是标志着张艺谋依然是那个刻画小人物命运的张艺谋，化繁为简，让人恍惚这不像是张艺谋的风格；这种敢于突破自己风格，不断开发新的可能，让人值得倾佩；我不知道影院版结局是死去的战友答到还是网络版如此；我更倾向于后者；如同《药神》吕受益和黄毛，自然升华，自然感动，给这白色雪地一抹鲜红的色。
每个人物都让人记不住，每个转折点都很生硬，每颗子弹的特效都很尴尬，能把真人真事拍这样这是老谋子水平吗？比悬崖之上还差一点
很平淡 但还是看哭了给我。师傅的故事看得我好emo 大泉洋演技好厉害…
二刷，之前的想法发生了很大改变，我想找一个闲暇的下午再好好品一品。
从师傅的身上，我看到一个演员固执的坚守，即使台下无人喝彩，他依旧为自己的演出感到光荣。在舞女的歌中，我听见一位歌手无奈的际遇，纵然观众高朋满座，她还是将自己的愿望压在心底。命运几番嘲弄，人生几度秋凉，即使路途遥远，我也不会投降，因为我已经做好了准备，用一颗赤子之心拥抱滚烫的理想。这不是北野武传记最佳的表达方式，但却饱含着北野武心中最尊重的某些东西，譬如深见千三郎所坚持的文艺老炮的高傲与体面：我的喜剧，可以让人会心一笑，但绝不可以当做玩笑，再不堪也要帅气的活着。观看过程中不断想起马东在《十三邀》里提到的那句：悲凉的底色，将苦难编成段子笑着说出来，这是喜剧演员独有的向生活宣战的特权，只有这样，悲凉才有可能变成底色，而不是主色。北野武看过的话大概会含泪骂道：那个像猴子一样家伙竟然是我啊，八嘎呀路！
北野武自己居然不导演和表演一下自己，太抒情了，北野武也可能不喜欢这个自己。除了对师父有情有义像他，北野的野少了些。
3.从昭和落语到浅草短剧/漫才，都不可避免地涉及“电视冲击，剧场没落”。近年日本推出一系列质量不错的影视剧来输出本国传统喜剧文化，即便某些技艺风光不再，但他们曾抚慰一个时代。我国的喜剧人多活跃于综艺，聚焦他们的影视剧倒是少见。期待早日看到《德云小子》《老马有喜》等作品。
浅草师徒两人的情谊真的太动人了，大年初一把我看哭。张弛有度，泪中带笑，两个人都演得特别好。表面上一副别惹老子样子，内心都憋着一股劲，默默地付出。从电视上大骂东京奥运会开幕就可以看出，北野武本身也像是这样活着，师傅说艺人不是要去讨好观众，而是要告诉观众什么是好笑。台上可以装疯卖傻，但是下台了一定要体面……都是很朴实又深刻的人生感悟。
将舞台和时间限定在了最小范围内，减小了大场面调度的负担和出错的概率，同时还能以小见大，老谋深算感（褒义
问：“北野武的相方后来去干什么了？”我：“组了ナイツ”
剧情简单直接清晰不费脑，画面色彩单调明朗不费眼
最后一击致命之后没去舔包有点遗憾，毕竟倍镜在那
8/10,春节档最佳，国师近几部片子排片量好像都不咋地，同样是抗美援朝大前提，却以一个狙击班做切入点，以小见大。敌方难得的不降智，也不会主动的打小孩。剧情层层递进一气呵成。章宇真的棒。五班都很棒！小不足是bgm实在是铺的太多了。有时候感觉有点吵=-=结局真是让我有了一次全新的体验，就是你明明情绪上波动不是很大，但是你泪止不住的流。五班！到！！
拍成这样对战士也不太尊重吧，大过年的我出门看这还不如在家看集《亮剑》。看看大洋彼岸人东木，你这态度还是退休吧，为老不尊啊。
最后大永独自对战John那段能再丰富些就好了，John安了假头盔诱敌，应该不会想不到对手也有策略吧
影片并没有过多的赘述和铺垫，将视角着重聚焦了抗美援朝的一场狙击战役，开场即直入主题，双方斗智斗勇的拉锯战紧张刺激、直抓眼球，虽然除了章宇別的演员都是新人，但每个人物的特质描绘非常鲜明，几个角色都让人印象深刻，几处小高潮能感受到那份情绪感，不觉间就泪流不止。国之伟大，家之安康，都离不开这些无名英雄先烈，向他们致以最深的敬意。
哎 五班牺牲太大了 不敢说剧情太强了 因为根据历史改编 很艰难的时期。
浅草师徒两人的情谊真的太动人了，大年初一把我看哭。张弛有度，泪中带笑，两个人都演得特别好。表面上一副别惹老子样子，内心都憋着一股劲，默默地付出。从电视上大骂东京奥运会开幕就可以看出，北野武本身也像是这样活着，师傅说艺人不是要去讨好观众，而是要告诉观众什么是好笑。台上可以装疯卖傻，但是下台了一定要体面……都是很朴实又深刻的人生感悟。
观影过程中一直感受得到剧团一人对本职及前辈的深沉热爱，但全片整体始终差口气（剧团其实可以试试找人联合导演）。当然主演们的演技毫无问题，尤其师徒二人的每场对手戏都颇有看点，大泉洋yuya门胁麦铃木保奈美演技多半星。最后，希望能安排北野武老爷子的吐槽副音轨。
其实看到最后还是挺感动的。虽然故事非常传统，甚至老套，但是大泉洋和铃木保奈美演得都好，就真的像是师父和师娘一样亲切。看到最后又差点破防了。不要讨好观众，不要扮丑。我记住了。
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