Filming has begun for Us, BBC One’s four-part drama adapted by David Nicholls from his hugely popular novel of the same name.
Tom Hollander (Baptiste, The Night Manager) will be joined by Saskia Reeves (Luther, Shetland), Sofie Gråbøl (The Killing, Fortitude), Tom Taylor (Doctor Foster, The Dark Tower), Iain De Caestecker (Agents of S.H.I.E.L.D, The Fades) and Thaddea Graham (Curfew, The Letter for the King), with casting by Sarah Crowe. It is produced by Drama Republic and Bandstand Productions.
Douglas Petersen (Tom Hollander) is blindsided when his wife Connie (Saskia Reeves) tells him that she’s not sure she wants to be married to him anymore. Agreeing to still go on their planned family grand tour of Europe, Douglas vows to win back the love of his wife and repair his troubled relationship with their son Albie (Tom Taylor).
Reflecting David Nicholls' signature mix of humour and heartbreak, Us brings the Petersens' poignant and often hilarious story to life, taking viewers with them on their once-in-a-lifetime journey through some of the most beautiful cities in the world.
David Nicholls says: “It’s a huge thrill to see the novel come to life, and with such a wonderful cast and production team. We want to make something funny, touching and beautiful, to really explore marriage and family life, all against this incredible backdrop.”
Tom Hollander and Hannah Pescod say: “We are delighted to be working with Drama Republic and the great David Nicholls in bringing his beautiful novel to BBC One. The trials of the Petersens will strike a chord with many - a family tale for our times.”
Piers Wenger, Controller of BBC Drama, says: “We feel so honoured to be bringing David’s beautiful novel to BBC One and to have the brilliant Tom Hollander and Saskia Reeves playing the leading roles. We are thrilled to work with David and Drama Republic once again and also with Bandstand Productions on their debut drama for the BBC.”
Greg Brenman and Roanna Benn, Executive Producers for Drama Republic, say: “David Nicholls is a unique and rare talent who miraculously manages to intertwine profound emotion with full-on humour. This glorious adaptation has attracted an exceptional cast in Tom Hollander, Saskia Reeves and Sofie Gråbøl. We couldn’t be more excited to begin filming.”
Us is executive produced by Greg Brenman and Roanna Benn for Drama Republic, Tom Hollander and Hannah Pescod for Bandstand Productions, Jo McClellan for BBC One and David Nicholls. It is directed by Lisa Siwe (Temple, Modus) and distributed internationally by BBC Studios. Filming will take place in London, Amsterdam, Venice, Barcelona and Paris.
还是TV版有意思，剧场版越来越水，完全靠看麻酱装傻充愣坚持下来的。
麻醬是日本國寶，但這劇本太弱了，懸疑感弱得可以忽略不計，剪輯還把節奏全弄亂了
极道大佬江口洋介在本系列中一路被PUA一路飞奔逗逼到底已然无法回头，阿部宽一张照片打酱油果然是照骗，新晋社员松重丰反转大作战深藏功与名，长泽雅美领衔的义气欺诈师团队玩得很开心。
感觉就是拍给粉丝看的圈钱片 糖都发了也很甜 剧情上真的觉得有些可惜吧 不能称之为电影
史上最无聊JP……濑户康史完全撑不起角色……
做的还不错的一个系列，反正充满欢笑，也映照梦想。真的是日本难得的商业系列电影了。
最后逆转KO前面 这次是这个系列不一样的地方
又是骗中骗，基本上每一部的套路都是一样，甚至连节奏都是复制粘贴，已经没有什么惊喜了，所以这个系列还有继续拍的必要么。至于本片最为触动我的地方，应该就是Jesse和Star两位现实中已经去世的演员仍然活在这个系列里，以一种非常特别的方式继续他们的人生。7
一贯水准～所以中间有点小瞌睡。。。最后还不错
长泽雅美那口牙真好看，老早说了红星大佬是抖M（好了看完这集大家都知道了）
太好猜了
我果然还是不喜欢这片子。一点亲密关系的感觉都没有。而且作为一个BL作品唯一一个亲亲场面还是借位，真的很没有诚意诶！（摔！不过两个人看着还是挺好的，赤楚卫二真的很可爱🥺。非常完美的发展。意识到想公开对方是最自己的人生伴侣，以重要的身份陪伴对方度过人生各种场面，见家长。我一度以为要拍他们俩去涩谷登记的场面。要是真有的话就有现实意义了，我会加星的。可惜并没有啦。
这回套路太容易猜，反转毫不意外，而且鸡汤味过重，已经没了这套剧一开始的亮点。
脑残粉例牌给5星。反正看这个IP的电影也不怎么需要思考 肯定有反转 所以我们做的就是认真看前面到底哪里埋下伏笔了就行。作为麻酱的粉丝 她只要在里面好好变装 卖萌 咧嘴笑 装妩媚我就满足了 特喜欢她在自己家悠哉悠哉指挥号令的样子 太好看了太可爱了！这一场电影是英雄篇 其实开头就说得很对 真正幸运的事这个国家根本不需要英雄 但帮助点头妹拿回那副画给孤儿院的孩子这一段我个人还是受！看上一部的时候介绍说她和他还会出现 结果三浦春马只有一个红领带 竹内结子也只活在台词（可能有镜头我没看出来希望大家能找到告诉我）这个系列拍得好也希望她们俩能安息。真木阳子长头发也挺漂亮的 濑户康史觉得他像池松壮亮 蓝眼睛挺酷的。怎样都好 这个系列很喜欢 你继续拍我继续看！
我不知道好不好看，我作為粉絲是大！滿！足！
有前两部的铺垫之后，看这电影都不用担心了。反正女主这么聪明，一定能化险为夷的。
主题升高了 虽然很难 但一起携手走下去的决心最朴素也最打动人心
为了马奇达，不远千里飞去澳门看这部电影，为了一圆心里的黑安美满结局。作为粉丝向电影，在90分钟里要表现那么多内容，必然是很难处理的，所以情节上必然没有剧版的细腻。不过，大多数观影者都是迷妹，所以只要看到二位的颜值和可爱，即使只有拥抱的清水，最后的婚礼和心音响起时，也能热泪盈眶，激动不已。马奇达的脸好适合大荧幕，镜前整理西装的镜头太帅了。刷了四遍回家还是意犹未尽。所以剧粉的话，还是会很开心，爱颜值的人也会喜欢。
马耳他地中海太美了太美了～又提到杰西和star好伤感～主线其实有点拖沓但分几part呈现的效果还不错～
kiss还要借位真的有点没意思了😅也确实有点流水账，两人演技也是半斤八两的尬……不过黒沢还是帅的。然后评论说女々しい的………………2022年还在把女性化特征当作骂人的词，我就真的谢😅😅😅
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