"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
为了自由可以不惜一切但是却也是不愿伤害无辜，想想现在疫情....真的是没法比
还不错看！长发男挺神经的，自作自受，但是确实挺适合玩重金属乐队的！歌曲挺high！
男孩子上学时候还是得靠体育和音乐来好泡妞 得有一技之长
重金属我去过现场，蹦完挺爽的，就是费眼镜。
是不是对金属的stereotype普遍都停在了上世纪
《女生要革命》是通过杂志发出青春期的呐喊和主张，这里则转为在音乐中找到能量；尽管这种直白浅显的青少年戏剧很少能有太多惊艳的发展与更为深刻的转向，但它仍比无病呻吟的恋爱故事要有意义，也依然成为不少足够优秀的青少年演员在拥有更多角色前最好的试炼。Jaeden Martell真的很棒，饰演“Hunter”的Adrian Greensmith同样惊艳。
很中二又很可爱。男主听听歌就能把鼓练得那么炸，而且从一开始就发现了女主的摇滚一面，强推大提琴进乐队，大概是个天才吧。打鼓和最后演出有被燃到。
为啥我觉得不好看，本身很喜欢看青春校园电影的，而且叠加音乐
先解释这个bug-这两个老黑有无数个被爆头的机会，为啥不开枪！这几个老黑一个人都没有杀人质，就是说明他们不敢开枪！！！无论这部
人物看起来都有点小毛病的，放置在平常的故事中倒算是唯一看点
黑人有自己治理的能力，“自不量力”的白人总是捣乱
两分钟后添加:阿德里安是我喜欢的可爱男孩儿
全程看得“母仪笑”！小孩子们太有爱了！尤其是那两小家伙 “破除”时候的样子 简直 so cute😂 我🉐️承认我老了！摇滚精神我没有，但我能感受得到那种冲向自由的锐利！不自由 毋宁死！
自由的代价，黑人主演那种绝望中硬撑中狠厉，太让我印象深刻了。南非，如果有机会想去看看。
3.5，没有性爱，没有过多煽情，剧情中规中矩，但这类题材真的我的菜，所以＋半星。对上一次看得开心又觉得好听的青春音乐电影是band slam～应该没记错名字。那首where are you now把我带进了音乐，自己学着去band 房把自己扒下来的节奏写纸上然后打出来。
非洲无烂片。这1980年的南非看起来比我们现代化多了。
重金属焕发青春，泳池趴体减一星，毕竟拍那个不是金属人的长项
长发男二极管，男主汪峰造型，除了女主可可爱爱。但是演出的时候我要哭了，我太想live了呜呜呜呜呜呜
毫无新鲜度，一眼望到头，类比摇滚学校，但更尬，还缺少了功夫熊猫那种人格魅力。一个半小时的内容比不上皮囊第五季第二集45分钟刻画的金属党生动有趣。大佬客串算有点惊喜，大提琴替贝斯算有点巧思(@Apocalyptica)，其他的就看一乐，可用作入门，金属党不会喜欢。另外金属电影里好像都喜欢把黑金用在主角最低谷时的发泄或堕落，想通了就不玩了，这样多了似乎对黑金有一丝偏见
仿佛看见了哈利波特还有贝拉。。。哈利波特重生之校园金属狂潮
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