A witty, exhilarating and mind-expanding exploration of the word of our times - data - with mathematician Dr Hannah Fry. Following in the footsteps of BBC Four's previous gleefully nerdy, award-winning maths films The Joy of Stats, Tails you Win - The Science of Chance and The Joy of Logic, this new high-tech romp reveals exactly what data is and how it is captured, stored, shared and made sense of. Fry also tells the story of the engineers of the data age, people most of us have never heard of despite the fact they brought about a technological and philosophical revolution.
For Hannah Fry, the joy of data is all about spotting patterns. She's Lecturer in the Mathematics of Cities at UCL as well as being the presenter of the BBC series Trainspotting Live and City in the Sky, and she sees data as the essential bridge between two universes - the tangible, noisy, messy world that we see and experience, and the clean, ordered, elegant world of maths, where everything can be captured beautifully with equations.
Along the way the film reveals the connection between Scrabble scores and online movie streaming, explains why a herd of Wiltshire dairy cows are wearing pedometers, and uncovers the remarkable network map of Wikipedia. What's the mystery link between 'marmalade' and 'One Direction'?
The Joy of Data also hails the giant contribution of Claude Shannon, the American mathematician and electrical engineer who, in an attempt to solve the problem of noisy telephone lines, devised a way to digitise all information. It was Shannon, father of the 'bit', who singlehandedly launched the 'information age'. Meanwhile, the green lawns of Britain's National Physical Laboratory host a race between its young apprentices in order to demonstrate how and why data moves quickly and successfully around modern data networks. It's all thanks to the brilliant technique first invented there in the 1960s by Welshman Donald Davies - packet switching - without which there would be no internet as we know it.
But what of the future, big data and artificial intelligence? Should we be worried by the pace of change, and what our own data could and should be used for? Ultimately, Fry concludes, data has empowered all of us. We must have machines at our side if we're to find patterns in the modern-day data deluge. But, Fry believes, regardless of AI and machine learning, it will always take us to find the meaning in them.
戏剧始终是戏剧，也get不到男主莫名其妙自信的笑容
熟悉的Arashi片尾曲一响起，感慨万分，这会不会是岚全员演唱的主题曲最后一次出现在门把的剧里面呢。如果放的是Daylight怕是会更绷不住。1分给西岛叔的演技。1分给客串的奈奈和文乃，杉咲花很元气，但三位女主同框后发现还是第一部的奈奈完胜。
多一星给这个系列。道枝根本扛不起来这个角色啊到底在想什么。
追求真相，到底对不对呢，这确实是个难题。真相能否给人带来幸福，不得而知。不过，有一点可以肯定，谎言救不了人。
怎么说呢，挺一般的，不能理解为什么村民要包庇两个四岁的小朋友（第一不是故意的，第二是4岁，因此也不会判刑）把一个大人推出去当凶手判死刑，然后dzjy那个角色前期就是个人型喇叭，跟着主角团到处跑也没啥用，强行加戏，最后认罪演技太差。西岛叔那个角色全程划水，也不知道为什么还要拍个sp营造西岛叔大反派的感觉。总体来说案件设计很离谱，演技尴尬，两星，多一颗给这个系列tv还行
从姜文的“鬼子来了”认识到香川照支，演技简直就是天朝的姜文啊，卖萌一条龙。追寻正义不在乎过程，只在意结果。就像台词“追求真相到底对不对呢？这确实是个难题，真相能否给人带来幸福，不得而知！不过，有一点可以肯定，谎言是救不了人的”
案件有bug
多一星给这个系列。道枝根本扛不起来这个角色啊到底在想什么。
女主角真的是太可爱了古灵精怪的。
案子其实挺沉重的 自家孩子的人生是人生 人家整个家庭的人生就不是人生了吗🚬还有说不出哪里不对 但是跟剧相比就是差了一点味道 片尾曲又在回忆杀了
sp+剧场版，塑造了一个完整的南云律师。剧场版南云的中心程度更强一些。至于案子，说老实话村民的行动有点草率和不可理解，不过鉴于答案揭晓的过程还比较层层推进和顺畅，姑且也算瑕不掩瑜吧。
3.5🤔感觉99.9的氛围和设定果然还是适合电视剧长度
看到一半就猜到是为了什么……但是这个案子怎么说呢，真的是为了拍成剧场版，强行重演两次现场来凑时长，案子本身并不难，且因为要保持两季剧里愉快轻松的节奏氛围，所以案子悲剧的渲染也没渲染出来…总而言之，感冒灵还是更适合拍成单元剧的形式
剧情真的很一般，没有出彩的地方，跟TV版区别不大。
我还挺喜欢每次律师团队现场检验发现问题的，但儿时误杀，大人隐瞒这个套路是不是稍微过时了点。还有，过分的日漫定格和冷笑话可以少一点吗，让西岛俊秀在里面显得格外正常，更加帅气了。
还是内味儿但 故事太草了。。为了立意而创造的故事。。。然后小花这个角色的笑声实在是。。刺耳，可以有 单太频繁了让人想要快进or跳过，这在电影院里可怎么办呀。潤宝睫毛实在是太长了sosos
3+1，1⭐给超级赛亚基因3的冷笑话和结尾岚团的歌。
案情本身还行，可惜我get不到浮夸的表现形式和冷笑话。松本润是开了美颜滤镜吗？和他人形成强烈对比……
看到结局一脸懵，这啥啊，这也太扯了，为了凸显主角其他人都有点降智。
今天虎年第一天，认真看了这部律师题材电影，精彩，就喜欢这种不可能胜诉但是又胜诉的官司！就是在这部剧中，律师担当了警察的职责，自己去找线索或者还原案发现场！2小时的电影，全程都吸引人！有些搞笑环节竟然还笑了几次！小日本破案电影都拍的不错的！男主角是不是脸上打过针或者微整形了，看上去不自然！还有，镜头切换太强调谁说话，切换到谁！头晕了！我艹，就不能来个中景也可以！非要人物特写吗！！有几次每个人说话很短，天哪，这镜头切换的让我头晕打恶心了！三颗星给剧情！这镜头切换扣两颗星，本来想给五星的
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