The Polish doco for the BFI’s Century of Cinema distinguishes itself from all the others in the series by being the only one not to have any film critics, academics, directors, etc providing a commentary. Instead it takes the refreshing route of having ordinary people of all ages talking about what’s special to them about movies – so we get some old folks describing their first trip to the cinema when a lot of people didn’t even know what a film was, memories of what it was like to go to the movies as children, teenagers, and adults before, during, and after WWII, and especially the key scenes from films that have made lasting impressions upon them (not unexpectedly, Wajda’s KANAL strikes a nerve), which are shown in accompaniment, so that it becomes the interviewees who ultimately decide what’s shown in the doco. This kind of stuff is what the ‘100 Years of Cinema’ celebration is really about.
黄政民演了一个叫黄政民的演员，然后被绑架了。
这点让人不胜唏嘘
最要命的是，王千源的角色，在翻拍版里，实在没有够得上的。韩版的反派金宰范，给王千源提鞋都不配。
为啥那个女警察不给劫匪一枪啊……等啥呢……
紧张感略有不足，并且也没有太多的对手戏。还是不如华仔版的精彩
作为商业片，情节毫不拖泥带水，节奏紧凑刺激，男主角黄政民表演很赞，可以提不少影帝奖了。就是绑匪警察都成男主工具人了。
挺一般的…
黄政民的战斗力跟他电影里一样，出走半生，归来仍是大哥。（快要离职的我躺在沙发上听外面的风声看电影，想着明早要去买个包子吃，体会到了幸福。）
就算没有《解救吾先生》珠玉在前，本片自身的质量也就一般般......
黄政民肉搏，一向都很好看。
反派为了变态而变态，演的恨不得先给自己来两枪让人看他有多狠
不过这很韩国
黄政民只是作为演员演了一出主角也叫黄政民的戏仅此而已。
片名改了之后连故事的侧重点都改了 解救人质变成了绑匪窝里斗 最后还是自救的 不是警匪片了
黄证明还是在“演”
😥太难投入了，情节设置也很拉胯，导演果然还是退圈吧
长的不帅脸又红哈哈哈哈
热评说黄政民能背朴成雄的电话号码真的，笑死我了，cp锤了哈哈哈哈哈哈哈哈哈哈哈
经纪公司跟死了一样？？人质小姐姐是鱿鱼游戏里那个小女孩
警察通过混乱中的一双鞋就判断出是男主就有点假了吧
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